Dance Club Approaches

Ray was out at a local dance club working out a gig to be a promoter, so I went to meet up with him around 11:30 pm. The door guy is a bit of a prick and I had to pay $20 to get in

Once I do get inside, I am Mr. Creative Avoidance for about 15 minutes. I can be the most creative man on the planet when necessary. But then I get going...

24. Horse girl. Not her. (C<5)
25. Horse girl. Hug. We talk for a couple minutes. She has to go talk to her friend, but "wait right here, I'll be back." I didn't wait. She didn't come back (C<5)

Ray and I start to take turns talking to every girl that leaves the restroom. They are all holding hands and going inside in pairs. The sets became a blur, with only a few memorable ones. It was interesting watching each set from afar. It was a loud environment, and so it was difficult to occupy the attention of a 2-set. Inevitably the 2nd girl would just stop and stand there waiting for her friend. Thus we could both open the same set with no cross-interaction.

26 - 30. Assuming 5 blowouts (B - 5)

31. Ray opens a 2 set. Girl #2 is looking into space. I open her with sexy shoes. She laughs, I get a hug. We start bonding about tattoos, and she is complying by showing me all 6 of hers. I am kino'ing her all over, and she is loving it. Ray's girl leaves, and pulls her away (C>5)

32. Horse Girl. Is this from The Game? No its a story, not a game, so anyway... She keeps going back to the game, that she read it? Oh a smart girl, huh. Well if you are so smart... and into smart tests. And again, back to The Game. So I ask her what this book is about, and if I should read it? Is it a good book? She recommends it. Now her friend says let's go get a drink, and the target says to me, we are going to go get a drink. OK. And I could tell by her body language that she wanted me to go with her... and when I didn't she felt a little awkward, and said OK, so I'll see you around. I was thinking that the interaction was tainted because of her questioning about the book, but it wasn't at all. I should have kept pushing (C<5)

33. A girl is standing alone in the middle of the bar area looking for her friend. I open her with something, and she cuts me off and asks if I've seen her friend and describes her. That sounds exactly like the girl Ray is talking to, so I adjust position so she can't look in that direction, and I offer to help look for her but she has to help me with something first. OK. Disney opener. She loves Disney music. I ask her to sing something from the Lion King for me. She does. I go into smart tests, and she knows what 4x4 is. Then her friend comes in and pulls her into their group (C>5)

34. I open a girl that used to train horses with Horse Girl. Reckon/Yonder. Then the convo gets platonic and boring, and she leaves (C>5)

We leave this club, and head over to Cahuenga to do some street game.

35. I jump out of the car and chase down 2 girls walking to their parked car. Horse Girl. It isn't her, and I positioned myself awkwardly so couldn't get the hug from the target. The friend was a big sloppy drunk and angry, and didn't like me asking that question. But the target was friendly and was a bit frustrated dealing with her friends state. Ah well, they have to go and I eject (C<5)

36. I opened one set. Horse Girl. She is angry. (B)

Overall a pretty poor night, but it was fun just opening every girl leaving the restroom.

Summary:
B - 6
C<5 - 4
C>5 - 3